Article

NAVOIY GʻAZALIYOTIDA SABO OBRAZI

Munisjon HakimovAlisher Navoi State Museum Of Literature Of The Academy Of Sciences Of Uzbekistan

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Abstract

This article examines the image of sabo in AlisherNavoi'sghazals from artistic, semantic, and Sufi perspectives. Moving beyond the traditional interpretation of sabo as a "messenger wind," the author argues that it functions as a central poetic image that drives the lyrical plot, conveys inner spiritual states, and embodies irfanic meaning. The study highlights the role of the sabo symbol in Navoi's poetry within the framework of the Qur'an, Hadith, Sufi teachings, and classical Eastern poetics.

Topics

Linguistic, Cultural, and Literary Studies Islamic Studies and History Global Maritime and Colonial Histories

Identifiers

DOI: 10.17613/1xjdz-b3m73

Citations and references

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