THE INCORPORATION OF WESTERN TERMINOLOGY IN ENLIGHTENMENT-ERA POETRY
Abstract
The current scrutiny provides a comparative analysis of the gradual changes in the language and methodology of poetry in the second half of the 19th early 20th century; the figurative way in modern poetry; the fundamental and qualitative evolution of language and style of poetry in the new era; the peculiar approaches to the interpretation of new sociopolitical ideas of the peoples of Central Asia, especially Tajik enlightenment and modern poetry; the development of artistic thinking; new revolutions in language and style of penetrating poetry and their linguo-poetic functions; and national and traditional romantic poetry. The process of traditional and updating the cognitive literature was observed. The services of modern intellectuals and poets, along with literary traditions and their desire to modernize literature, are explained. The process of renewal of artistic symbols and literary revolutions can be observed in the works of modern poets. In the poems of this period, the characteristic elements of literary trends, such as symbolism, sentimentalism, and abstractionism, which are characteristic of the literature of the people of the world, can be observed. In particular, changes in the language parameters of poetry in the new era, democratization and simplification of poetry, bringing it closer to the language of the people, and changing the functional characteristics of artistic images have been studied as the main issues.