FEMININITY IN PANTELEIMON KULISH’S PROSE

Feminist nominations form one of the lexical microsystems of language, verbally denoting females. Femininities are closely related to masculine names, as well as they reveal specificities in the linguistic reproduction of objects of the surrounding reality. Their thorough study enriches linguistic science, and the research of the writer's linguistics expands and complements the linguistic-stylistic direction of the analytical base of artistic creativity. On this account, the proposed article appears relevant. Feminine is one of the important components of the lexical paradigm of the Panteleimon Kulish's world-language and is not presented in Ukrainian linguistic studies. The article deals with the specifics of the use of feminist vocabulary in the proses of Panteleimon Kulish. The analysis was carried out through the study of the semantic structure of feminist (in particular, lexical-semantic groups), stylistic load and sociolinguistic orientation of feminine nominations. The investigated lexical microsystem, presented in the small prose of the Ukrainian writer, covers both neutral and stylistically colored linguistic units, since some of them convey the author's attitude and evaluate the female images created by the author. Most feminincons are positively labeled as they convey the color of benevolence, admiration, love and compassion. The sociolinguistic aspect reflects the social realities of contemporary reality, the social roles of women in the author's described social environment. Female nominees presented in the context, are nominated by occupation or profession, by husband or father. The feminicon analyzed in the article is the linguistic center of female fiction in the artistic speech of Panteleimon Kulish.

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