The conflict of words and spirit in alisher nazar's poetry

AbstractThe article analyzes the originality of literary interpretation in poetry, the contradiction of words and spirit in the formation of poetic perception, the combination of expression and description in methodological research on the example of Alisher Nazar, one of the representatives of modern Uzbek lyric poetry. It examines the status of form and content in the evolution of the poet's narrative technique, the use of metaphors and semantic shifts, the ways in which emotional perception and philosophical observation intertwine, and the degree to which artistic speech and interpretation skills are appropriate. The human psyche is, in fact, inherent in the creative skill of grasping the mysteries of the subtleties and feeling the delicate image of the situation and reviving the feeling in a vivid imagination. The concentration of tone, music, and analysis in a poem that combines concept-symbol-image-idea determines aesthetic value.

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