ANTHROPONYMS IN ONOMASTIC SPACE IN CHARLES DICKENS'S NOVEL "OLIVER TWIST" AS THE ALLEGORY OF DEVIL AND GOD

The article looks at the part and put of anthroponyms and their subsidiaries within the dialect framework, as well as the problem of a satisfactory exchange of the onomastic names sense laid down by the creator within the interpretation, by the case of the examination of "talking names" within the novel by Charles Dickens "The Adventures of Oliver Twist". The novel of Ch. Dickens is inextricably linked with Christian imagery, ancient view of the world. In arrange to consider it from this point of see it is vital to depend on the thoughts of C.G. Jung's originals that cause complex thoughts to life, acting as legendary themes. They are mediated by the awareness of the author and are displayed in the shape of conditional explanations, in which the visual picture is something "other." Introducing Oliver Turn as a sacrosanct, constant static entity in a seriously fallen world, the author conveys his picture of God or the divine paradigm of the child, as contradicted to the paradigm of the Devil embodied in Fagin.

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