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Issues of Distribution of Bear Image in Uzbek Novels

Makhbuba UrazbaevaAssociate Professor of the Department of Uzbek Literature and its Teaching Methodology at Nizomiy Tashkent State Pedagogical UniversitBurkhanova Feruza AbdurazzakovnaAssociate Professor of the Department of Uzbek Literature and its Teaching Methodology at Nizomiy Tashkent State Pedagogical UniversityPardayeva Nigora KuysinboyevnaAssociate Professor of the Department of Uzbek Literature and its Teaching Methodology at Nizomiy Tashkent State Pedagogical UniversityAtabayeva Guzal FarkhadovnaAssociate Professor of the Department of Uzbek Literature and its Teaching Methodology at Nizomiy Tashkent State Pedagogical UniversityKadirova Mashkhura NasirovnaAssociate Professor of the Department of Uzbek Literature and its Teaching Methodology at Nizomiy Tashkent State Pedagogical University
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Аннотация

This article explores the issue of the image of women in Uzbek novels created during the period of independence, starting from the first half of the 20th century. The leading principles of creating the image of a woman have been identified. Representatives of the older generation of Abdullah Kadyrov "Days of the Past" took part in determining this issue, "Mehrobdan chaion," Chulpana "Night and Day," Sharp Hoshimov "Between Two Doors," Pyrimkul Kadyrov "Diamond Chamber," Said Aha While Mada's works "Silence" were analyzed, the image of a woman was studied in Togai Murad's novels "You Can't Die in This World," "Fields Left of My Father," created during the years of independence. The leading features of novels created during the years of independence have been identified. Analysis revealed that at the beginning of the 20th century, women were portrayed as weak, victims of the period, and from the second half of the century they were portrayed as working women.

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