THE POETIC FUNCTION OF NATURE IMAGERY IN ERNEST HEMINGWAY AND TOG’AY MUROD’S WORKS

This article examines the poetic function of nature imagery in Ernest Hemingway’s prose and in Uzbek literature through a comparative analytical framework. The study focuses on Hemingway’s The Old Man and the Sea and A Farewell to Arms alongside Tog‘ay Murod’s Ot kishnagan oqshom as representative texts in which natural imagery performs not merely a descriptive but a semantic, symbolic, and psychological role. The research argues that in both literary traditions nature is transformed into an active poetic structure that shapes character, conflict, mood, and philosophical meaning

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