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Essential Oils as Natural Biocides in Conservation of Cultural Heritage

Franco PallaLaboratory of Biology and Biotechnology for Cultural Heritage, Department of Biological, Chemical, and Pharmaceutical Science and Technologies, University of Palermo, Via Archirafi 38, 90123 Palermo, ItalyMaurizio BrunoLaboratory of Natural Products, Department of Biological, Chemical, and Pharmaceutical Science and Technologies, University of Palermo, V. le delle Scienze Ed. 17, 90128 Palermo, ItalyFederica MercurioLaboratory of Biology and Biotechnology for Cultural Heritage, Department of Biological, Chemical, and Pharmaceutical Science and Technologies, University of Palermo, Via Archirafi 38, 90123 Palermo, ItalyAntonella TantilloLaboratory of Biology and Biotechnology for Cultural Heritage, Department of Biological, Chemical, and Pharmaceutical Science and Technologies, University of Palermo, Via Archirafi 38, 90123 Palermo, ItalyValentina RotoloLaboratory of Biology and Biotechnology for Cultural Heritage, Department of Biological, Chemical, and Pharmaceutical Science and Technologies, University of Palermo, Via Archirafi 38, 90123 Palermo, Italy
2020en
ABI

Аннотация

Essential oils (EOs) have been known for a long time, and they are used in several fields such as medicine and aromatherapy, as well as in the food and pharmaceutical industries. In the last decade, EOs have also been applied to contrast the biodeterioration of cultural heritage, representing a powerful resource in green conservation strategies. In this study, an integrated approach based on microscopic observation, in vitro culture, and molecular investigation was preliminarily employed to identify biological systems colonizing wooden artworks. In order to contrast the biodeterioration processes induced by fungal colonization (Aspergillus flavus) or insect infestation (Anobium punctatum), wooden artworks were exposed to the volatile compound of Origanum vulgare or Thymus vulgaris essential oils (EOs), the chemical composition of which was determined by GC–MS using both polar and apolar columns. Artwork exposure was performed in ad-hoc-assembled “clean chambers.” Evaluating the effects on biological systems, the compatibility with artwork constitutive materials, and the lack of negative effects on human health and environmental pollution, the use of EOs as a valid alternative to traditional biocides must be considered.

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