The pristine past, the plundered present: Nature as lost home in Tanure Ojaide’s poetry

Tanure Ojaide is a major voice of post-war Nigerian poetry in English, distinguished by his recourse to the orature of his birthplace. Ojaide takes orature as a locus of an aesthetics that is cognizant of the arts and politics of rural people, especially in the face of a modernity-driven, viperous establishment. His poetry’s dependence on orality, I argue, implies its rootedness in nature. But far more crucial to this article is the contention that nature in Ojaide’s poetry is not merely evoked as an aesthetic strategy — an embellishment of what many have regarded as an overwhelming political theme in his poetry. Nature (the natural environment, biodiversity, flora and fauna) is also thematized as home — now a lost home in the face of modernity and petrodollar global capitalism. In the context of postcolonial ecocriticism, I attempt a reading of his poetry to point out that the nature (environment) of the Niger Delta region where the poet hails from is, just like the people inhabiting it, a victim of exploitation and oppression caused by large-scale oil exploration in the region; and it is no longer the pristine home it used to be.

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