SEMANTIC TRANSFORMATION OF THE TERM IMAGE IN MODERN LITERATURE

This article examines the problems of replenishing the modern literary terminological system with new concepts and issues of transforming the boundaries of the sphere of perception of the term and its semantics in Russian terminology. As a result of the expansion of the boundaries of the sphere of perception of the term image in modern literary criticism, a new type of image appears — an image-symbol, which requires the formulation of questions of identification, interpretation, transformation, and equivalence of the concept. The article identifies the factors of the origin and replenishment of the typology of the modern image, the definition of its semantic field, and the boundaries of the sphere of perception through a review and generalization of modern theoretical concepts, problems of identification of definitions of terms, as well as the problem of their interpretation within the framework of the latest methodologies. The purpose of the study is to disclose the issues of selecting equivalents in the Uzbek language to borrowed terms entered through the Russian language and to consider their competent usage.

Ҳали таржима қилинмаган