Artful Copies: The Urrutia Collection and Porfirian Visual Culture
Kathryn E. O’RourkeKathryn E. O'Rourke is Assistant Professor of Art History at Trinity University in San Antonio where she teaches courses on the art and architecture of Latin America and on the history of modern architecture. Her research focuses on twentieth-century architecture in Mexico City and has appeared in the Journal of the Society of Architectural Historians and the Journal of Architectural Education, among other venues. She is currently at work on a book project about the rise of national architectural history in Mexico and its effects on the development of modern architecture in Mexico City in the first half of the twentieth century
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In the early twentieth century Aureliano Urrutia, a prominent Mexican physician and politician, amassed a collection of copies of famous antique, Renaissance, and Mexican paintings and sculptures that he installed in estates in Mexico City and San Antonio, where he immigrated in 1914. Read as a whole, and examined in light of Mexico's historical relationship to copies and unidentified artists and the problem of the copy in art history generally, the Urrutia collection illuminates issues central to modern Mexican visual culture, particularly the flexible relationship between form and content and the manipulation of images and associations to construct meaning.
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