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The feasibility of multicultural education practice through K-pop dance based on banks’ theory of multicultural education

Mi-Suk KimDepartment of Dance and Arts, Sungshin Women’s University, Seoul, Republic of KoreaHan ALamDepartment of Physical Culture, Faculty of Theatre Arts, Uzbekistan State Institute of Art and Culture, Tashkent, UzbekistanIn-Hye ParkDepartment of Bio-Health Convergence, Graduate School of Smart Convergence, Kwangwoon University, Seoul, Republic of Korea
2026en
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This study examines the educational potential of K-pop dance as a culturally hybrid practice through Banks’ five dimensions of multicultural education. Positioned as a theoretical framework and perspective paper, the study employs a structured literature review (Google Scholar, ERIC, JSTOR) and theoretical synthesis to analyze peer-reviewed research and seminal works on multicultural and arts education, as well as K-pop’s global circulation. The analysis applies Banks’ framework—content integration, knowledge construction, prejudice reduction, equity pedagogy, and empowering school culture—to conceptually map how K-pop dance can support inclusive learning. The paper establishes a conceptual foundation for future classroom-based studies, including action research, case studies, and empirical investigations, on K-pop dance as a multicultural pedagogical resource.

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