Макомный симфонизм Мирсадыка Таджиева: историко-теоретический анализ, жанровая эволюция и художественное наследие

This article examines the creative legacy of the prominent Uzbek composer Mirsodiq Tojiyev and his role in the formation and development of the phenomenon known as “maqom symphonism.” From historical-theoretical and music-analytical perspectives, the study explores the synthesis of traditional Eastern maqom art with the principles of European symphonic thinking. Particular attention is given to the use of maqom modal, intonational, structural and dramaturgical principles within the composer’s symphonic works. The evolution of Tojiyev’s artistic thinking is traced through such works as the “Maqom Symphony,” the symphonic poem “The Poet’s Love,” the Third Symphony, and the “Milky Way” trilogy. The study reveals the transition from early neofolkloristic approaches to complex philosophical, psychological and avant-garde musical concepts. The article also highlights the importance of Tojiyev’s practical and pedagogical experience in understanding maqom as a living oral tradition and integrating its structural principles into academic musical genres. It is concluded that Tojiyev made a significant contribution to the development of Uzbek symphonism and expanded the possibilities of interaction between Eastern musical traditions and Western symphonic thought.

Hali tarjima qilinmagan