“O‘zgacha”ning o‘zgacha talqini

The article analyzes the takhmis attributed by Mirzo Baki to Alisher Navoi’s ghazal with the radif “Inoya” artistically and substantively. It reveals that the Tahmis author created a new interpretation of the love content in the main ghazal, harmonizing the sociopolitical ideas of the early 20th century. The genre features of the Tahmis, its compositional structure, and its artistic communication with Navoiy are also illuminated, and the work’s place in the literary process of its time is substantiated. This takhmis is evaluated as a vivid example of Navoi’s ghazals interpreted based on modern ideals.

Hali tarjima qilinmagan