Poetik obrazning semantik transformatsiyasi

This article examines the manifestations of metaphorical thinking and the semantic transformation of poetic images in the poetry of Sirojiddin Sayyid, People’s Poet of Uzbekistan. As the primary sources, the study analyzes selected poetic texts by Sirojiddin Sayyid published in collections such as “Bu kecha harflarim hazindan hazin” (1990), “Eski tashbeh” (2002), as well as various poems published in 2002 and 2005. During the analysis, it was identified that units such as “harf” (letter), “un” (sound/voice), “jadval” (table/schedule), “gul” (flower), “qon” (blood), “soch” (hair), “yong’in” (fire), “sel” (torrent), “yomg’ir” (rain), “tor” (string), “dunyo” (world), “matal” (proverb), “masal” (fable/ tale), “maysa” (grass/sprout), “g’azal” (ghazal), and “bayt” (couplet) transcend their nominative boundaries in poetic speech and generate new semantic relations. A distinct feature of Sirojiddin Sayyid’s poetic thinking is manifested in his ability to connect concrete objects and phenomena with human psychological states, philosophical reflections on love, separation, time, life, and existence. The article evaluates metaphor not merely as a conventional artistic decoration, but as a semantic mechanism that shapes poetic content.

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