Ma’danlar timsolining tasavvufiy ramzlar tizimidagi o‘rni

The article examines the literary-irfanic and Sufi semantics of the image of la’l within the system of mineral symbols represented in Alisher Navoi’s poetic collection Khazā’in al-Ma‘ānī. Drawing on poetic examples, the study elucidates the semantic layers of the symbol associated with the lips, the word, the Divine Breath, spiritual knowledge, divine grace, love, life-giving power, and the Sufi concepts of fanā and baqā. It also analyzes the semantic interrelations of la’l with the images of wine, the cupbearer, the Water of Life, Jesus Christ, blood, fire, and precious stones, thereby demonstrating its transformation from a material-aesthetic image into a multilayered mystical and irfanic symbol. Statistical and semantic analyses conducted across the individual divans of Khazā’in al-Ma‘ānī and various poetic genres substantiate the conclusion that la‘l constitutes one of the most consistent, productive, and central symbols in Navoi’s poetic thought.

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