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Towards a diagnostic protocol for the study of modelling pastes in monumental terracruda sculpture

Monica López‐PratConsiglio Nazionale delle Ricerche Istituto di Scienze del Patrimonio Culturale (CNR ISPC), ItalyDomenico MirielloDepartment of Humanistic Studies, Università della Calabria, ItalyStéphane ChaignepainUniversity of Bordeaux, CNRS, Bordeaux INP, CBMN, UMR 5248, and Bordeaux Proteome, UAR 2046, Bordeaux, F-33076, FranceCarla LancelottiUniversitat Pompeu Fabra - ICREA, SpainLea LeganInstitute for the Protection of Cultural Heritage of Slovenia, Poljanska c. 40, SI-1000 Ljubljana, SloveniaAlessandra PecciERAAUB, Department of History and Archaeology, Universitat de Barcelona, INSA-UB MdM Unit of Excellence (Grant CEX2021-001234-M), SpainMarina ReutovaArchaeology Institute of Samarkand, UzbekistanBarbara SalvadoriConsiglio Nazionale delle Ricerche Istituto di Scienze del Patrimonio Culturale (CNR ISPC), ItalyCaroline TokarskiUniversity of Bordeaux, CNRS, Bordeaux INP, CBMN, UMR 5248, and Bordeaux Proteome, UAR 2046, Bordeaux, F-33076, FranceEmma CantisaniConsiglio Nazionale delle Ricerche Istituto di Scienze del Patrimonio Culturale (CNR ISPC), Italy
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• Diagnostic protocol for studying modelling pastes of monumental terracruda sculpture is proposed. • Circular workflow integrates archaeological, analytical, textual, ethnographic data. • Organic compounds in modelling pastes reveal clay-processing technological strategies. • Findings support a “clay alchemy” enhancing raw earth for durable sculptural modelling. • Step forward for conservation diagnostics and understanding technological variability. This paper presents an emerging diagnostic protocol for the study of modelling pastes in monumental terracruda sculpture, a distinctive technological tradition of monumental sculpture in air-dried clay. The study combines some newly acquired analytical data from Uzbek case studies with previously published results, integrating them with textual and ethnographic evidence to establish a diagnostic framework for material characterization and conservation decision-making. The proposed approach builds on a circular process of comparison and feedback between different sources of knowledge (archaeometric analyses, historical textual evidence, and traditional practices) each informing and refining the others. This interdisciplinary synthesis allows the identification of functional and compositional variations within historical examples and provides the basis for interpreting regional and chronological patterns in the production of terracruda sculpture. By formalizing this integrative workflow, the paper aims to define a reproducible methodological framework for future studies and conservation strategies concerning monumental terracruda sculptures preserved in archaeological and historical contexts, as well as dispersed fragments held in museum collections worldwide.

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