HOFIZ XORAZMIY IJODIDA VUJUD BIRLIGI G‘OYASI TASVIRI (ORIFONA G‘AZAL TAHLILI ASOSIDA)

In this article, the reflection of the theory of wahdat al‑wujud in the gnossistic ghazals of Hafiz Khwarazmi is analyzed. The author’s skill in utilizing Sufi symbols is revealed through literary and philosophical analysis. The main attention is paid to the inner, gnossistic meaning of the ghazal, in particular, to interpretations and study of views related to the concept of “unity of being.” The artistic devices employed in the verses are also analyzed.

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