THE DEVELOPMENT OF DOIRA PERFORMANCE: THE SCHOOL OF MASTER USTA OLIM KOMILOV AND THE CONTINUITY OF GENERATIONS

The article explores the historical development of doira performance, from its origins as a traditional ceremonial instrument to its status as a professional stage art. The social and aesthetic significance of the doira is analyzed within the framework of Eastern musical thought, particularly the ideas of Abu Nasr Muhammad Farabi. The legacy of Master Usta Olim Komilov and his disciples is recognized as a key factor in the formation of doira performance as an independent art form.

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